After seeing The Good, the Bad and the Ugly, Morricone's iconic Western theme song got stuck in my head big time. I found myself running around randomly going, "Ah-eee-ah-eee-aaaaah!" when I thought no one was listening. Couldn't get that danged song out of my head for years.
Seeing the good folks from the Danish Symphony Orchestra take a run at this massively complex song using instruments ranging from recorders and ocarinas to trumpets and glockenspiels to choirs and soloists. It's no wonder that not a lot of high school bands ever attempt this music.
It's really amazing to watch and it makes you appreciate what a lot of talent someone like Ennio Morricone brings to his music. I'd be doing good to figure out the recorder part, myself, but I'd like to think that in heaven and the new Earth, after several thousand (or perhaps million) years of practice, I might be able to crank out a reasonable facsimile of such a tune.
Enjoy.
Tom
The enduring love of Westerns by Europeans must, in part, stem from living in an overly structured and controlled culture. The allure of a free individual, completely unfettered by societal rules must be intoxicating.
ReplyDeleteThe Italians certainly warmed to the genre, though some of the entries in the spaghetti Western genre were kind of bizarre. The appalling "Sabata" in which one character named "Banjo" had a gun built into his musical instrument. The late 60s/early 70s must have been tough times for actors in that they managed to get Lee Van Cleef and Yul Brynner to do episodes of the series. Some great movies did come out of the genre - The Fistful of Dollars films, Trinity and others actually were pretty good and the music, most of which came from Morricone was terrific. Without spaghetti Westerns, Lee Van Cleef would have died a much poorer man. Clint Eastwood's career got a serious kick in the pants from his Italian Westerns in the late 60s'.
ReplyDeleteThe European "Westerns" did have a certain anarchy to them, probably garnering a devoted audience among all the ADHD Europeans who had not yet emigrated to the United States.